17h
Sarah Hunter writes: “In early 2020, Maia Kobabe (e/em/eir) was wrapping up promotion for eir memoir Gender Queer when e received an email out of the blue from Sarah Peitzmeier, a social epidemiologist working in LGBTQ+ health at University of Michigan in Ann Arbor. Peitzmeier, a fan of Kobabe’s work, wanted to collaborate with em on an illustrated guide based on her research on current chest-binding practices. The resulting book became Breathe: Journeys to Healthy Binding. American Libraries spoke with Kobabe and Peitzmeier about their new title, their collaboration, and the importance of making evidence-based information about trans health care widely available.”
American Libraries Trend, May
21h
Frank Strong writes: “May 5, many Texas school districts held elections for their boards of trustees. For months I’ve tracked contested races in 23 districts where there have been controversies about books, book bans, and censorship. The results last night were… great, overall!” Thirteen districts definitively rejected slates of candidates supported by Moms for Liberty, 1776 Project PAC, and other procensorship groups. Seven districts had mixed or neutral results, while candidates opposed to the freedom to read won in three. The results “don’t necessarily capture the balance of power in a given district,” but “these elections provide a strong foundation from which we can start restoring sanity to school boards next year.”
Anger & Clarity, May 6
2d
Sarah Ravits writes: “The Louisiana House of Representatives April 30 passed a bill loosening hiring requirements for library directors across the state, a move that could make it easier for conservative local officials to hire supporters of book banning. House Bill 974 (formerly HB-168) by Rep. Josh Carlson (R-Lafayette) removes a requirement that candidates for library director positions have master’s degrees in library sciences, which are accredited by the American Library Association. Librarians and anti-censorship advocacy groups, including the Louisiana Citizens Against Censorship, view this bill as an attack on librarians’ credentials and an attempt to undermine the ALA.”
NOLA.com Gambit, Apr. 30
2d
Kiara Alfonseca writes: “Samira Ahmed, an author of young adult and middle-grade literature, never expected to hire security for events, travel under an alias or face cancellations at schools and libraries. Ahmed told ABC News she faces threats and book bans over her novels—including Internment and Hollow Fires—which have caused a firestorm of criticism for tackling complex issues about race, oppression and politics. Titles highlighting Asian American cultures have been targets among the long and growing inventory of books singled out by critics, prompting concerns about representation in literature.”
ABC News, May 2
2d
Susan D. Ballard and Sara Kelly Johns write: “As school librarians, we are always rethinking how to convey who we are and what we do. To compete and remain viable, we need to work on our brand identity. The feelings and impressions that members of our school community have when they think of our library, and their memories of interactions they’ve had with us—positive or negative—are our school library’s brand. The goal is not so much to transform the school library’s image as it is to build credibility through ongoing improvement and exemplary brand behavior.”
American Libraries feature, May
5d
Cara S. Bertram writes: “As we look forward to book award ceremonies at the ALA Annual Conference in San Diego this summer, we’re taking a moment to reflect on the history of one of the most prestigious children’s book awards, the Caldecott Medal. The idea was first presented in 1935 in a letter by Frederic G. Melcher,” who had established the Newbery Medal in 1921. Melcher’s suggestion was prompted when Professor May Hill Arbuthnot of Western Reserve University in Cleveland communicated the concern that the Newbery was not recognizing literature for the youngest children.
American Library Association Archives, Apr. 29
5d
Kristi Kellogg writes: “Images are an essential component of online content—and it’s obvious why. Images aren’t just pretty—they’re powerful marketing tools that help you stand out. Whether you’re creating a social media post, a webpage, an ebook, a blog post, or something else, adding visuals goes a long way in improving the overall user experience. However, you can’t just pull images off the internet and use them—and it’s your responsibility to determine if and how you can use the image without breaking the law.”
Search Engine Journal, Apr. 6
