Opinion & Commentary

Drawing the Line on Data


Flipped Classrooms

High Tech, High Touch

Amazon Calls Baloney

Maybe it’s because I’ve been rereading classic Daniel Pinkwater novels (namely, The Snarkout Boys and the Avocado of Death and The Snarkout Boys and the Baconburg Horror) but Amazon’s latest stunner of a response to stalled negotiations with Hachette reads like a young-adult comedy.

Flicking the Switch: Printz Authors Speak

After 40 years of the Booklist Books for Youth Forum, it was time for a transition. On Friday, June 27, Booklist and the Young Adult Library Services Association (YALSA) partnered to present the Michael L. Printz Program and Reception.

Smashwords and OverDrive

Librarians need to take sharp notice of the sudden and disruptive trebling of intellectual content: mainstream (which we’ve always focused on), small and independent publishing (which has ramped up its annual title count by four or five times over as many years), and self-published (now more new annual titles than the other two combined).

Three ways have emerged for libraries to sample this content and present it to the public:

Digital Preservation

Libraries—both public and academic—are in the business of gathering, organizing, and presenting to the public the intellectual content of our culture. To some extent, we’re also responsible for the preservation of that content. Generally speaking, academic libraries take the lead on this longer-term collection management; public libraries focus more on the popular and perhaps ephemeral content.

Fired Up for Retirement

“We’ve decided to allow you to spend more time with your family.” Cartoon by Richard Lee

Sony to Kobo to ...?

Back in 2009 I received a Sony ebook reader for Christmas. The PRS-600 (such poetry in the name!) worked, kind of. But it has sat at my bedside untouched for years, replaced by the iPad and a Nexus 7, both of which are considerably easier to use and read.


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